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  • and Lucy Cavender

    Beijing: Portrait of a City is the shared work of some of the city's finest writers who lead us through ‘hutong’ alleys, antique markets, artists' communities, gay bars, parks and the nostalgic streets of memory. They beguile with poems, amuse with camel anecdotes and thrill with two murder stories one a genuine antique, the other a fictional contemporary. They take us back to the often-ignored Mongolian roots of the city and project forward to ask whether spectacular modern architecture will suffice to return Beijing to what it sees as its ancient place at the centre of the world.

    The book interweaves its written work with a collection of wry and telling photographs of different aspects of the city, creating a compelling portrait of Beijing.

    The contributors including Zhu Wen, Adam Williams, Roy Kesey, Ma Jian, Alfreda Murck, Tim Clissold, Catherine Sampson, Peter Hessler, Karen Smith, Paul French, Michael Aldrich, Hong Ying and Rob Gifford, all published authors and experts in their field have spent many years living in Beijing and know it from the inside. Their individual contributions combine to leave a highly original and unforgettable impression of one of the world’s oldest and most fascinating cities.

  • with foreword by Anchee Min and epilogue by Mian Mian

    The Beijing Olympics focused the world's eyes on China. But despite increased tourism and rampant foreign investment, the cultural distance between China and the West remains as vast as the oceans that separate them. The Middle Kingdom is still relatively unknown by Westerners.

    China is in fact made up of 33 distinct regions populated by 56 ethnic groups – and American photojournalist Tom Carter has visited them all. This little book is a visual tribute to the People's Republic of China, with an ardent emphasis on the People.

    Look inside this book
    Click on the links below to see sample pages from CHINA: Portrait of a People. You will need a pdf reader to view these excerpts.

    Gansu  Hainan

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    We hear news reports of the rise of China and its sleepless economy, often with sinister undertones supposed to alarm us. The reality can look very different.

    German photographer Bernd Hagemann has long been fascinated by China and its people. He carries his camera at all times, because on every street corner you can find people napping in the strangest positions and situations, even snoring in deep slumber.

    “When China wakes, she will shake the world,” warned Napoleon. This may be true. But let’s not forget that hardworking people need their sleep too.

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    No one represents diversity better than Eurasians – those individuals with a mix of Caucasian and Asian heritage. Once a source of shame, the Eurasian face has become the face that sells. It is the face with which everyone can identify. In an ever-shrinking world, the search is on for a one-size-fits-all global image. Eurasians have become the world’s poster boys and girls, much sought after as actors and models.

    Taking advantage of increasingly tolerant times and the growing commercial and cultural exchanges between East and West, Eurasians have gained prominence as entrepreneurs, professionals and athletes. This book of interviews and black-and-white portraits reveals how seventy Eurasians of diverse backgrounds see their place in the world today.

    Kirsteen Zimmern is a photographer of Chinese and Scottish ancestry. She has always been fascinated by the tell-tale signs of East and West in the faces of fellow Eurasians, and has found this fascination to be widespread: few days go by without strangers examining her appearance to discern her ethnicity. She lives in Hong Kong.

    Look inside this book
    Click on the below link to view sample pages from The Eurasian Face. You will need a pdf reader to view this excerpt.

    Pages 48-59

  • with pictures by Ira Chaplain

    What do "Deep water pier", "Nine dragons city" and "Mandarin's lake" have in common with "Wong Tai Sin", the name of a Taoist deity? They're all districts in Kowloon.

    This book is an exploration of what is often seen as Hong Kong's shadow-side, from the viewpoints of community, consumerism, art, food, fashion and sex – 15 years after the handover. Scores of colour photographs bring the peninsula